Tuesday, June 24, 2014

Blog 2/5: "Public Lettering" and "Writing Without Paper"

Summary Points:

Within Public Lettering: Script, Power, and Culture:

1)    Writing was being brought out to more public settings (by the powerful and only what they allowed) instead of being restricted within a church or sacred building, yet artists struggled with how to incorporate the unfamiliar symbols into their pieces, at first, causing disharmony between the artwork and the writing. The artists discovered they were able to leave a legacy by signing their own work. Later on, writing became more decorative; a form of art.

2)    Graffiti. Writing as a form of expression by the public, for the public, but now the “powerful” try desperately to control it and keep it within its designated guides. By declaring war against the “meaningless” graffiti, they intern gave it more import. 


Within “Writing Without Paper: A Study if Functional Rhetoric in Ancient Athens:”

3)    Writing was not just used for important buildings or specific items, but for everyday use throughout Athens. Directional signs were even discovered meaning the general public was literate enough to figure out how to navigate.


Comment:

What these readings opened my eyes to most was how much some try to control writing, whether it should be in a certain place or not, how big it is, how it should be displayed, and what it says. The artist in me sees this as a creative restriction just waiting for me to challenge it, but the upstanding citizen within me agrees that words do need some restraints. If you find today’s commercial and picture filled world dizzying, just imagine what it would be like with no censorship.


Question:


Why do we find it so surprising/interesting to learn writing was used for everyday life in Athens? Will future civilizations be surprised to find this era was literate?

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